Residence NRW⁺ Hoppengarten 32. Photo: Moritz Hagedorn ↓ JPG

Residence NRW⁺ Hoppengarten 32. Photo: Moritz Hagedorn ↓ JPG

Residence NRW⁺ kitchen. Photo: Moritz Hagedorn ↓ JPG

Residence NRW⁺ studio. Photo: Moritz Hagedorn ↓ JPG

Residence NRW⁺ studio. Photo: Moritz Hagedorn ↓ JPG

Residence NRW⁺ Hoppengarten 32. Photo: Moritz Hagedorn ↓ JPG

Residence NRW⁺ living room. Photo: Moritz Hagedorn ↓ JPG

Residence NRW⁺ office. Photo: Moritz Hagedorn ↓ JPG

Residence NRW⁺ bed room. Photo: Moritz Hagedorn ↓ JPG

Residence NRW⁺ studio. Photo: Moritz Hagedorn ↓ JPG

Residence NRW⁺ Hoppengarten 32. Photo: Moritz Hagedorn ↓ JPG

Residence NRW⁺ floorplan ground floor. Design: JMMP ↓ JPG

Residence NRW⁺ floorplan ground floor. Design: JMMP ↓ JPG

Residence NRW⁺ floorplan first floor. Design: JMMP ↓ JPG

Residence NRW⁺ floorplan first floor. Design: JMMP ↓ JPG

Photo: Hubertus Huvermann ↓ JPEG

Photo: Hubertus Huvermann ↓ JPEG

Euridice Zaituna Kala, Nuit Américaine, 2024, transfers on glass and metal, digital image, metal frame, 87 x 77 x 39 cm. Courtesy the artist. Photo: Aurélien Mole ↓ JPG

Euridice Zaituna Kala, Cartographie under grounds revelation, 2024, transfer on glass, mixed media, scanned images, wheat, metal frame, 121 x 84 x 2 cm. Courtesy the artist. Photo: Aurélien Mole ↓ JPG

Euridice Zaituna Kala, Eutrophê: the wave, 2025, iridescent metal frames, transfers on glass and metal, writing, engravings, seeds, glass. Installation view La Criée centre d'art contemporain, Rennes, 2025. Courtesy the artist. Photo: Aurélien Mole ↓ JPG

Euridice Zaituna Kala, Eutrophê: the wave, 2025, iridescent metal frames, transfers on glass and metal, writing, engravings, seeds, glass. Installation view La Criée centre d'art contemporain, Rennes, 2025. Courtesy the artist. Photo: Aurélien Mole ↓ JPG

Abdoul Karim Martens, There you go, 2024, printed paper, photocopies, construction foam, egg tempera, electrical cables. Photo: Jana Buch ↓ JPG

Abdoul Karim Martens, BILP (Because I Love Painting), 2024, Papier-mâché and pigment, wood, egg tempera. Photo: Jana Buch ↓ JPG

Abdoul Karim Martens, Soft Eyes, 2025, Wood, papier-mâché and pigment, egg tempera, plasticine, cardboard, construction foam. Photo: Mats Münnich ↓ JPG

Kanade Hamawaki, Verschwörung fährt ein..., 2022, installation view, Die Grosse, Museum Kunstpalast. Photo: Kanade Hamawaki ↓ JPG

Kanade Hamawaki, PUBLIKUMSBEFRAGUNG, 2023, Installation view Kunstakademie Düsseldorf, worker: Zihan Chen. Photo: Kanade Hamawaki ↓ JPG

RHO, TIME IS THE ILLUSION OF SOLIDITY, 2024, Land art as part of the artist residency in "Los Angeles", Güns-terode, May 2024. Photo: Nico Wefers ↓ JPG

RHO, TIME IS THE ILLUSION OF SOLIDITY, Land art as part of the artist residency in "Los Angeles", Günsterode, May 2024. Photo: Nico Wefers ↓ JPG

RHO, CHOLERA – I THOUGHT I SHOULD NEVER SPEAK AGAIN, Light and sound installation in collaboration with the vocal ensemble Γλωσσα (glossa), interior view, Kasseler Kunstverein, February 2021. Photo: Nico Wefers ↓ JPG

RHO, CHOLERA – I THOUGHT I SHOULD NEVER SPEAK AGAIN, Light and sound installation in collaboration with the vocal ensemble Γλωσσα (glossa), exterior view, Kasseler Kunstverein, February 2021. Photo: Nico Wefers ↓ JPG

Kanade Hamawaki, aus der Werkreihe Kaufmann Anton Nordpol Dora Emil Heinrich Martha Wilhelm Ida Otto Berta Richard Ludwig Übermut Samuel Friedrich, 2025, installation view Hamawaki/Hölk/Albatal oder Die Neuen von nebenan, FUHRWERKSWAAGE. Photo: Kanade Hamawaki ↓ JPG

Maria Renee Morales Garcia, complexities in w(e)aves, 2025, Room installation with self-painted/lettered textiles, woven works, ceramic works. Photo: LWL/Hanna Neander ↓ JPG

Maria Renee Morales Garcia, when your identity runs away/how far does your identity run?, 2023, room installation with questions on walls, floor, and ceiling, 2 mobile sculptures. Photo: Masako Kato ↓ JPG

Anneliese Ostertag. Photo: Ariel Reichman ↓ JPG

Antoine Simeao Schalk. Photo: Gina Folly ↓ JPG

Paula Thomaka. Photo: Lea Sophia Mair ↓ JPEG

Clara Maria Blasius. Photo: R. Bergmann ↓ JPG

Zauri Matikashvili, Passing the Glass (Still), 2026, two-channel video installation, full HD, Sound, 27:17 min, Courtesy the artist. ↓ JPG

Zauri Matikashvili, Passing the Glass (Still), 2026, two-channel video installation, full HD, Sound, 27:17 min. Courtesy the artist. ↓ JPG

Zauri Matikashvili, Passing the Glass (Still), 2026, two-channel video installation, full HD, Sound, 27:17 min. Courtesy the artist. ↓ JPG

Zauri Matikashvili, Passing the Glass (Still), 2026, two-channel video installation, full HD, Sound, 27:17 min. Courtesy the artist. ↓ JPG

Zauri Matikashvili, მზე შინა და მზე გარეთა/ The sun inside and the sun outside (Still), 2026, HD video, Sound, 15:00 min. Courtesy the artist. ↓ TIF

Zauri Matikashvili, In Katernberg (Still), 2022, HD video, Sound, 23:00 min. Courtesy the artist. ↓ JPG

Zauri Matikashvili, In Katernberg (Still), 2022, HD video, Sound, 23:00 min. Courtesy the artist. ↓ JPG

Zauri Matikashvili, Made in Europe (Still), 2023, HD video, Sound 25:00 min. Courtesy the artist. ↓ JPG

Zauri Matikashvili, Made in Europe (Still), 2023, HD video, Sound 25:00 min. Courtesy the artist. ↓ JPG

Zauri Matikashvili, Made in Europe (Still), 2023, HD video, Sound 25:00 min. Courtesy the artist. ↓ JPG

Zauri Matikashvili, Made in Europe (Still), 2023, HD video, Sound 25:00 min. Courtesy the artist. ↓ JPG

Zauri Matikashvili, Made in Europe (Still), 2023, HD video, Sound 25:00 min. Courtesy the artist. ↓ JPG

Zauri Matikashvili, You may not want to be here (Detail), 2024, high fired and glazed ceramic, 38 x 72 x 60 cm. Courtesy the artist. Photo: Zauri Matikashvili. ↓ JPEG

Zauri Matikashvili, You may not want to be here (Detail), 2024, high fired ceramic, metal dust, patina, earth and varnish, 25 x 30 x 92 cm. Courtesy the artist. Photo: Zauri Matikashvili. ↓ JPG