Residence NRW⁺ Hoppengarten 32. Photo: Moritz Hagedorn ↓ JPG

Residence NRW⁺ Hoppengarten 32. Photo: Moritz Hagedorn ↓ JPG

Residence NRW⁺ kitchen. Photo: Moritz Hagedorn ↓ JPG

Residence NRW⁺ studio. Photo: Moritz Hagedorn ↓ JPG

Residence NRW⁺ studio. Photo: Moritz Hagedorn ↓ JPG

Residence NRW⁺ Hoppengarten 32. Photo: Moritz Hagedorn ↓ JPG

Residence NRW⁺ living room. Photo: Moritz Hagedorn ↓ JPG

Residence NRW⁺ office. Photo: Moritz Hagedorn ↓ JPG

Residence NRW⁺ bed room. Photo: Moritz Hagedorn ↓ JPG

Residence NRW⁺ studio. Photo: Moritz Hagedorn ↓ JPG

Residence NRW⁺ Hoppengarten 32. Photo: Moritz Hagedorn ↓ JPG

Residence NRW⁺ floorplan ground floor. Design: JMMP ↓ JPG

Residence NRW⁺ floorplan ground floor. Design: JMMP ↓ JPG

Residence NRW⁺ floorplan first floor. Design: JMMP ↓ JPG

Residence NRW⁺ floorplan first floor. Design: JMMP ↓ JPG

Photo: Hubertus Huvermann ↓ JPEG

Photo: Hubertus Huvermann ↓ JPEG

Euridice Zaituna Kala, Nuit Américaine, 2024, transfers on glass and metal, digital image, metal frame, 87 x 77 x 39 cm. Courtesy the artist. Photo: Aurélien Mole ↓ JPG

Euridice Zaituna Kala, Cartographie under grounds revelation, 2024, transfer on glass, mixed media, scanned images, wheat, metal frame, 121 x 84 x 2 cm. Courtesy the artist. Photo: Aurélien Mole ↓ JPG

Euridice Zaituna Kala, Eutrophê: the wave, 2025, iridescent metal frames, transfers on glass and metal, writing, engravings, seeds, glass. Installation view La Criée centre d'art contemporain, Rennes, 2025. Courtesy the artist. Photo: Aurélien Mole ↓ JPG

Euridice Zaituna Kala, Eutrophê: the wave, 2025, iridescent metal frames, transfers on glass and metal, writing, engravings, seeds, glass. Installation view La Criée centre d'art contemporain, Rennes, 2025. Courtesy the artist. Photo: Aurélien Mole ↓ JPG

Abdoul Karim Martens, There you go, 2024, printed paper, photocopies, construction foam, egg tempera, electrical cables. Photo: Jana Buch ↓ JPG

Abdoul Karim Martens, BILP (Because I Love Painting), 2024, Papier-mâché and pigment, wood, egg tempera. Photo: Jana Buch ↓ JPG

Abdoul Karim Martens, Soft Eyes, 2025, Wood, papier-mâché and pigment, egg tempera, plasticine, cardboard, construction foam. Photo: Mats Münnich ↓ JPG

Kanade Hamawaki, Verschwörung fährt ein..., 2022, installation view, Die Grosse, Museum Kunstpalast. Photo: Kanade Hamawaki ↓ JPG

Kanade Hamawaki, PUBLIKUMSBEFRAGUNG, 2023, Installation view Kunstakademie Düsseldorf, worker: Zihan Chen. Photo: Kanade Hamawaki ↓ JPG

RHO, TIME IS THE ILLUSION OF SOLIDITY, 2024, Land art as part of the artist residency in "Los Angeles", Güns-terode, May 2024. Photo: Nico Wefers ↓ JPG

RHO, TIME IS THE ILLUSION OF SOLIDITY, Land art as part of the artist residency in "Los Angeles", Günsterode, May 2024. Photo: Nico Wefers ↓ JPG

RHO, CHOLERA – I THOUGHT I SHOULD NEVER SPEAK AGAIN, Light and sound installation in collaboration with the vocal ensemble Γλωσσα (glossa), interior view, Kasseler Kunstverein, February 2021. Photo: Nico Wefers ↓ JPG

RHO, CHOLERA – I THOUGHT I SHOULD NEVER SPEAK AGAIN, Light and sound installation in collaboration with the vocal ensemble Γλωσσα (glossa), exterior view, Kasseler Kunstverein, February 2021. Photo: Nico Wefers ↓ JPG

Kanade Hamawaki, aus der Werkreihe Kaufmann Anton Nordpol Dora Emil Heinrich Martha Wilhelm Ida Otto Berta Richard Ludwig Übermut Samuel Friedrich, 2025, installation view Hamawaki/Hölk/Albatal oder Die Neuen von nebenan, FUHRWERKSWAAGE. Photo: Kanade Hamawaki ↓ JPG

Maria Renee Morales Garcia, complexities in w(e)aves, 2025, Room installation with self-painted/lettered textiles, woven works, ceramic works. Photo: LWL/Hanna Neander ↓ JPG

Maria Renee Morales Garcia, when your identity runs away/how far does your identity run?, 2023, room installation with questions on walls, floor, and ceiling, 2 mobile sculptures. Photo: Masako Kato ↓ JPG

Anneliese Ostertag. Photo: Ariel Reichman ↓ JPG

Antoine Simeao Schalk. Photo: Gina Folly ↓ JPG

Paula Thomaka. Photo: Lea Sophia Mair ↓ JPEG

Clara Maria Blasius. Photo: R. Bergmann ↓ JPG

Chloe Chignell, SUNCUT: a lover’s dictionary, 2025. Courtesy of the artist. Photo: Stine Sampers ↓ JPEG

Chloe Chignell, SUNCUT: a lover’s dictionary, 2025. Courtesy of the artist. Photo: Stine Sampers ↓ JPEG

Sinaida Michalskaja, HANNAH (Deutsche Wärme), 2025, four Jacquard-woven cotton tapestries, stretchers, 150 × 400 × 4 cm, Installation view Neu Cöln, Cologne. Courtesy of the artist. Photo: Mareike Tocha ↓ JPG

Dorota Gawęda + Eglė Kulbokaitė, Yield, 2021 (2024). Installation view It’s Supposed to be Simple, But I’m Not, Zeller van Almsick, Vienna, Austria. Courtesy of the artists and Zeller van Almsick. Photo: Simon Veres, 2025. ↓ JPG

Liina Magnea, SSASSINS CREED (LADY SAYS STOP), 2024. Courtesy of the artist. Photo: Andrea Vollkmer ↓ JPG

Ewa Dziarnowska with kiana rezvani and Sunayana Shetty, Performance (work in progress), 2026. Courtesy of the artist. Photo: Ewa Dziarnowska ↓ JPG

Gaia Vincensini, Intuitions, porcelain, 2025, Courtesy of the artist and Gallery Gaudel de Stampa. Photo: Adrien Mole. ↓ JPG

Abdoul Karim Martens + Dominik Sartor, dérivedérive, 2025. Courtesy of the artists. Photo: Abdoul Karim Martens ↓ JPG

Abdoul Karim Martens + Dominik Sartor, dérivedérive, 2025. Courtesy of the artists. Photo: Abdoul Karim Martens ↓ JPG

Sinaida Michalskaja, SOPHIE (Still), 2021, Full-HD Video, 2:14 min. Courtesy of the artist. ↓ PNG

Gaia Vincensini, Locksmith Altar, porcelain, 2025. Courtesy of the artist and Gallery Gaudel de Stampa. Photo: Adrien Mole. ↓ JPG

Alexandra Sheherazade Salem, PROFIT MADE GOD’S EXHAUSTION, 2026. Courtesy of the artist. Stadthausgalerie Münster. Photo: Ygor Souza Bahia. ↓ JPG

Gaia Vincensini, Stranded thong, 2025, porcelain. Courtesy of the artist and Gaudel de Stampa. + Gaia Vincensini, Golden ticket to nothing, 2025, porcelain. Courtesy of the artist and Gaudel de Stampa. Stadthausgalerie Münster. Photo: Ygor Souza Bahia. ↓ JPG

Dorota Gawęda + Eglė Kulbokaitė, Enclosure (Lower Bound of the Landscape) I - VIII, 2023. Courtesy of the artists. Stadthausgalerie Münster. Photo: Ygor Souza Bahia. ↓ JPG

hell is other people (if you're lucky), Ausstellungsansicht, Stadthausgalerie 2026. Photo: Ygor Souza Bahia. ↓ JPG

hell is other people (if you're lucky), Exhibition view, Stadthausgalerie 2026. Photo: Ygor Souza Bahia. ↓ JPG

Abdoul Karim Martens + Dominik Sartor, dérivedérive, 2025. Courtesy of the artists. Photo: Ygor Souza Bahia. ↓ JPG

Jakob Mönch, Red Hot Horizon, 2026, Aluminium, Holz, Gips. Courtesy of the Artist. Foto: Kunstakade-mie Münster / Hyesung Ryu ↓ TIFF

Jakob Mönch, Red Hot Horizon (Detail), 2026, Aluminium, Holz, Gips. Courtesy of the Artist. Foto: Kun-stakademie Münster / Hyesung Ryu ↓ TIFF

Anton Schmutzler, a glossy object, 2026, 3-Kanal-Videoinstallation, Sound, 6:36 Min., Schießstand aus Holz. Courtesy of the Artist. Foto: Kunstakademie Münster / Hyesung Ryu ↓ TIFF

Anton Schmutzler, a glossy object (Detail), 2026, 3-Kanal-Videoinstallation, Sound, 6:36 Min., Schieß-stand aus Holz. Courtesy of the Artist. Foto: Kunstakademie Münster / Hyesung Ryu ↓ TIFF

Julius Kotzke, untitled, 2026, Acryl auf MDF. Courtesy of the Artist. Foto: Kunstakademie Münster / Hyesung Ryu ↓ TIFF

Henrik Jansen, Between Countries, 2026, 2-Kanal-Videoinstallation, Sound, 13:40 Min. Courtesy of the Artist. Foto: Kunstakademie Münster / Hyesung Ryu ↓ TIFF

Henrik Jansen, Between Countries, 2026, 2-Kanal-Videoinstallation, Sound, 13:40 Min. Courtesy of the Artist. Foto: Kunstakademie Münster / Hyesung Ryu ↓ TIFF

Design: JMMP ↓ JPG

Jihyeok Yang, Wenn die Säule sich auf den Boden legt, 2026, MDF, Lack + Die Dose und der Ball, 2026, Redbulldose, Ball, MDF, Lack. Installationsansicht: Kunsthalle Münster. Courtesy of the Artist. Foto: Kun-stakademie Münster / Hyesung Ryu ↓ TIFF

Jihyeok Yang, Wenn die Säule sich auf den Boden legt, 2026, MDF, Lack + Die Dose und der Ball, 2026, Redbulldose, Ball, MDF, Lack. Installationsansicht: Kunsthalle Münster. Courtesy of the Artist. Foto: Kun-stakademie Münster / Hyesung Ryu ↓ TIFF

Yuna Jeong, Hingabe in Form, 2026, Wachs, Seifen, Metall. Courtesy of the Artist. Foto: Kunstakademie Münster / Hyesung Ryu ↓ TIFF

Woorim Ha, Wie das Wasser das Meer bedeckt, 2026, Öl auf Leinwand. Courtesy of the Artist. Foto: Kun-stakademie Münster / Hyesung Ryu ↓ TIFF

Anna Charlotte Frevel, Accretions, 2026, PLA, Wachs, Epoxidharz, Acryllack. Courtesy of the Artist. Foto: Kunstakademie Münster / Hyesung Ryu ↓ TIFF

Alex Liedtke, Urban Survival SIM, 2026, Non-Interactive-Fiction-CG, Video, Sound, 25:15 Min. Courtesy of the Artist. Foto: Kunstakademie Münster / Hyesung Ryu ↓ TIFF

Frieda Zander, abhängen, 2026, Metall, Holz. Courtesy of the Artist. Foto: Kunstakademie Münster / Hyesung Ryu ↓ TIFF

Hannah Moraw, How do you separate that which has virtually become one? Part 1: threads, untangled (Still), 2022, Courtesy of the Artist. Foto: Hannah Moraw ↓ PNG

Hannah Moraw, How do you separate? (Sketch), 2026, kollektive Performance mit Wollknäulen. Courtesy of the Artist. Foto: Hannah Moraw ↓ PNG

Hannah Moraw, How do you separate?, 2026, kollektive Performance mit Wollknäulen. Courtesy of the Artist. Foto: Kunstakademie Münster / Hyesung Ryu ↓ TIFF

Mari Kim, 20240919, 2025, Acrylglas, Metall, XPS Platten, Scheinwerfer. Courtesy of the Artist. Foto: Kunstakademie Münster / Hyesung Ryu ↓ TIFF

Nicole Widner, story of a break (in a nutshell) (Detail), 2026, Metall, Lack, Gips, Taschentücher, Gelatine, Pigmente, Heißkleber, Werkzeugkoffer, Walnussschalen, Blatt. Foto: Kunstakademie Münster / Hyesung Ryu ↓ TIFF

Nicole Widner, story of a break (in a nutshell) (Detail), 2026, Metall, Lack, Gips, Taschentücher, Gelatine, Pigmente, Heißkleber, Werkzeugkoffer, Walnussschalen, Blatt. Foto: Kunstakademie Münster / Hyesung Ryu ↓ TIFF

Nicole Widner, story of a break (in a nutshell) (Detail), 2026, Metall, Lack, Gips, Taschentücher, Gelatine, Pigmente, Heißkleber, Werkzeugkoffer, Walnussschalen, Blatt. Foto: Kunstakademie Münster / Hyesung Ryu ↓ TIFF

Zauri Matikashvili, მზე შინა და მზე გარეთა/ The sun inside and the sun outside (Still), 2026, HD Video. Courtesy the artist. ↓ TIF

Zauri Matikashvili, In Katernberg (Still), 2022, HD Video, 23:00 min. Courtesy the artist. ↓ JPG

Zauri Matikashvili, In Katernberg (Still), 2022, HD Video, 23:00 min. Courtesy the artist. ↓ JPG

Zauri Matikashvili, Made in Europe (Still), 2023, HD Video, 25:00 min. Courtesy the artist. ↓ JPG

Zauri Matikashvili, Made in Europe (Still), 2023, HD Video, 25:00 min. Courtesy the artist. ↓ JPG

Zauri Matikashvili, Made in Europe (Still), 2023, HD Video, 25:00 min. Courtesy the artist. ↓ JPG

Zauri Matikashvili, Made in Europe (Still), 2023, HD Video, 25:00 min. Courtesy the artist. ↓ JPG

Zauri Matikashvili, Made in Europe (Still), 2023, HD Video, 25:00 min. Courtesy the artist. ↓ JPG

Zauri Matikashvili, You may not want to be here (Detail), fired and glazed clay. Courtesy the artist. ↓ JPEG

Zauri Matikashvili, You may not want to be here (Detail), fired clay metal dust, patina, earth and varnish. Courtesy the artist. ↓ JPG