On this page we have compiled current media-relevant information and press documents on the exhibitions of the Kunsthalle Münster and the location itself. You will also find press material on the public collection of the city of Münster. Information on past exhibitions and projects is available in the archive. Should you have any questions, request an interview or require additional material, please do not hesitate to contact us.
All images available for download are protected by copywrite and may only be used for current reports on each specific exhibition.
Residence NRW⁺
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Residence NRW⁺ Hoppengarten 32. Photo: Moritz Hagedorn ↓ JPG
Residence NRW⁺ Hoppengarten 32. Photo: Moritz Hagedorn ↓ JPG
Residence NRW⁺ kitchen. Photo: Moritz Hagedorn ↓ JPG
Residence NRW⁺ studio. Photo: Moritz Hagedorn ↓ JPG
Residence NRW⁺ studio. Photo: Moritz Hagedorn ↓ JPG
Residence NRW⁺ Hoppengarten 32. Photo: Moritz Hagedorn ↓ JPG
Residence NRW⁺ living room. Photo: Moritz Hagedorn ↓ JPG
Residence NRW⁺ office. Photo: Moritz Hagedorn ↓ JPG
Residence NRW⁺ bed room. Photo: Moritz Hagedorn ↓ JPG
Residence NRW⁺ studio. Photo: Moritz Hagedorn ↓ JPG
Residence NRW⁺ Hoppengarten 32. Photo: Moritz Hagedorn ↓ JPG
Residence NRW⁺ floorplan ground floor. Design: JMMP ↓ JPG
Residence NRW⁺ floorplan ground floor. Design: JMMP ↓ JPG
Residence NRW⁺ floorplan first floor. Design: JMMP ↓ JPG
Residence NRW⁺ floorplan first floor. Design: JMMP ↓ JPG
Residence NRW⁺ 2026/2027
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Bild 2: Antonia Beeskow and Lilli Lake, hallmark, 2024, Kunstverein Nürnberg - Albrecht Dürer Gesellschaft. Courtesy the artist. Photo: Lukas Pürmayr. ↓ JPG
Antonia Beeskow. Photo: Linda Deutsch ↓ JPG
Antonia Beeskow, red is the color of recording (für li de la), 2025, Approximation Festival Düsseldorf. Courtesy the artist. Photo: Juri Löchte ↓ JPG
Antonia Beeskow and Lilli Lake, hallmark, 2024, Kunstverein Nürnberg - Albrecht Dürer Gesellschaft. Courtesy the artist. Photo: Lukas Pürmayr. ↓ JPG
Christi Knak Tschaikowskaja, Wasserwesen, Performance, 2026, Düsseldorf, Juli, 2026, painting and drawing. Courtesy the artist. Foto: Christi Knak Tschaikowskaja ↓ JPG
Christi Knak Tschaikowskaja, Wasserwesen, Performance, 2026, Düsseldorf, Juli, 2026, painting and drawing. Courtesy the artist. Photo: Christi Knak Tschaikowskaja ↓ JPG
Donja Nasseri. Photo: Rebecca Racine Ramershoven ↓ JPG
Peter Maria Volkhardt, Digital Dream Münster, 2026, Lecture Performance, Förderverein aktuelle Kunst Münster. Courtesy the artist. Photo: Peter Maria Volkhardt ↓ JPG
Christi Knak Tschaikowskaja. Photo: Christi Knak Tschaikowskaja ↓ PNG
Donja Nasseri, Mad Dogs, 2026, Installationsansicht Manifesta RUHR Essen. Courtesy the artist. Photo: Donja Nasseri. ↓ JPG
Donja Nasseri, Mineral Ghost, on occasion of the exhibition Glückauf, 2026, Mönchehaus Museum Goslar. Courtesy the artist. Photo: Donja Nasseri ↓ JPG
Donja Nasseri, Mineral Ghost, on occasion of the exhibition Glückauf, 2026, Mönchehaus Museum Goslar. Courtesy the artist. Photo: Donja Nasseri ↓ JPG
Kollektiv des Guten Willens, Aufruhr 500 – drei Projektionen für Münster, 2026, Installation view Krameramtshaus Münster. Courtesy the artists. ↓ JPG
Peter Maria Volkhardt. Photo: Jan Prahm Miró ↓ JPG
Katia Leonelli. Photo: Margot Sparkes ↓ JPG
Kristina Miller. Photo: Diana Pfammatter ↓ JPG
Inga Charlotte Thiele. Photo: Joon Yeon Park ↓ JPG
Deiara Semeco Kouto. Photo: Tihana Jana Vukic ↓ JPG
Euridice Zaituna Kala. Daylighting: aber es ist Wasser, das spricht
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Euridice Zaituna Kala, Eutrophê: the wave (detail), 2025, iridescent metal frames, transfers on glass and metal, writing, engravings, seeds, glass. installation view Kunsthalle Münster 2026. Courtesy of the artist and galerie anne barrault. Photo: Moritz Hagedorn. ↓ JPG
Euridice Zaituna Kala, Nuit Américaine, 2024, transfers on glass and metal, digital image, metal frame, 87 x 77 x 39 cm. Courtesy of the artist and galerie anne barrault. Photo: Moritz Hagedorn. ↓ JPG
Euridice Zaituna Kala. Daylighting: aber es ist Wasser, das spricht, Installation view Kunsthalle Münster 2026. Courtesy of the Artist. Photo: Moritz Hagedorn ↓ JPG
Euridice Zaituna Kala. Daylighting: aber es ist Wasser, das spricht, Installation view Kunsthalle Münster 2026. Courtesy of the Artist. Photo: Moritz Hagedorn ↓ JPG
Euridice Zaituna Kala, Louise Kuling_Why be born a slave, 2024, Transfer on glass, image based on the bust „La Negresse“ by Jean-Baptiste Carpeaux (1867), metal frame, 30 × 22 × 2 cm. Installation view Kunsthalle Münster 2026. Courtesy of the artist and galerie anne barrault. Photo: Moritz Hagedorn. ↓ JPG
Euridice Zaituna Kala, Louise Kuling_Why be born a slave (detail), 2024, Transfer on glass, image based on the bust „La Negresse“ by Jean-Baptiste Carpeaux (1867), metal frame, 30 × 22 × 2 cm. Installation view Kunsthalle Münster 2026. Courtesy of the artist and galerie anne barrault. Photo: Moritz Hagedorn. ↓ JPG
Euridice Zaituna Kala, We didn’t hear, we couldn’t hear, 2026, Transfer on glass, pink tinted cathedral and an-tique glass digital images, metal frame, four parts, each 148 × 50 cm. Courtesy of the artist und / and galerie anne barrault. Photo: Moritz Hagedorn. ↓ JPG
Euridice Zaituna Kala, Architectures, Thin, dreams I, 2024, Transfer on glass, blue tinted glass, digital images, metal frame, 164,5 × 94 × 42 cm. Courtesy of the artist and galerie anne barrault. Photo: Moritz Hagedorn. ↓ JPG
Euridice Zaituna Kala, Eutrophê: the wave (detail), 2025, iridescent metal frames, transfers on glass and metal, writing, engravings, seeds, glass. installation view Kunsthalle Münster 2026. Courtesy of the artist and galerie anne barrault. Photo: Moritz Hagedorn. ↓ JPG
Euridice Zaituna Kala, Ailes, Serre, Palace, 2024–2025, Transfers on 52 glass tiles, painted metal structure, Dimensions variable. Courtesy of the artist and galerie anne barrault. Photo: Moritz Hagedorn. ↓ JPG
Euridice Zaituna Kala, Eutrophê: the wave (detail), 2025, iridescent metal frames, transfers on glass and metal, writing, engravings, seeds, glass. installation view Kunsthalle Münster 2026. Courtesy of the artist and galerie anne barrault. Photo: Moritz Hagedorn. ↓ JPG
Euridice Zaituna Kala, Eutrophê: the wave (detail), 2025, iridescent metal frames, transfers on glass and metal, writing, engravings, seeds, glass. installation view Kunsthalle Münster 2026. Courtesy of the artist and galerie anne barrault. Photo: Moritz Hagedorn. ↓ JPG
Euridice Zaituna Kala, Eutrophê: the wave (detail), 2025, iridescent metal frames, transfers on glass and metal, writing, engravings, seeds, glass. installation view Kunsthalle Münster 2026. Courtesy of the artist and galerie anne barrault. Photo: Moritz Hagedorn. ↓ JPG