On this page we have compiled current media-relevant information and press documents on the exhibitions of the Kunsthalle Münster and the location itself. You will also find press material on the public collection of the city of Münster. Information on past exhibitions and projects is available in the archive. Should you have any questions, request an interview or require additional material, please do not hesitate to contact us.
All images available for download are protected by copywrite and may only be used for current reports on each specific exhibition.
Residence NRW⁺
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Residence NRW⁺ Hoppengarten 32. Photo: Moritz Hagedorn ↓ JPG
Residence NRW⁺ Hoppengarten 32. Photo: Moritz Hagedorn ↓ JPG
Residence NRW⁺ kitchen. Photo: Moritz Hagedorn ↓ JPG
Residence NRW⁺ studio. Photo: Moritz Hagedorn ↓ JPG
Residence NRW⁺ studio. Photo: Moritz Hagedorn ↓ JPG
Residence NRW⁺ Hoppengarten 32. Photo: Moritz Hagedorn ↓ JPG
Residence NRW⁺ living room. Photo: Moritz Hagedorn ↓ JPG
Residence NRW⁺ office. Photo: Moritz Hagedorn ↓ JPG
Residence NRW⁺ bed room. Photo: Moritz Hagedorn ↓ JPG
Residence NRW⁺ studio. Photo: Moritz Hagedorn ↓ JPG
Residence NRW⁺ Hoppengarten 32. Photo: Moritz Hagedorn ↓ JPG
Residence NRW⁺ floorplan ground floor. Design: JMMP ↓ JPG
Residence NRW⁺ floorplan ground floor. Design: JMMP ↓ JPG
Residence NRW⁺ floorplan first floor. Design: JMMP ↓ JPG
Residence NRW⁺ floorplan first floor. Design: JMMP ↓ JPG
Zauri Matikashvili. You may not want to be here
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Zauri Matikashvili, Carmen Vellani (Still), 2020, Single-channel video, 12:00 min. Courtesy the artist ↓ JPG
Zauri Matikashvili, Im Tunnel (Still), 2017, Single-channel video, 25:00 min. Courtesy the artist ↓ JPG
Zauri Matikashvili, Made in Europe (Still), 2023, Single-channel video, 25:00 min. Courtesy the artist ↓ JPG
hell is other people (if you're lucky): Chloe Chignell, Ewa Dziarnowska, Dorota Gawęda + Eglė Kulbokaitė, Liina Magnea, Abdoul Karim Martens + Dominik Sartor, Sinaida Michalskaja, Alexandra Sheherazade Salem, Gaia Vincensini
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Chloe Chignell, SUNCUT: a lover’s dictionary, 2025. Courtesy of the artist. Photo: Stine Sampers ↓ JPEG
Chloe Chignell, SUNCUT: a lover’s dictionary, 2025. Courtesy of the artist. Photo: Stine Sampers ↓ JPEG
Dorota Gawęda + Eglė Kulbokaitė, Enclosure (Lower Bound of the Landscape) I - VIII, 2023. Courtesy of the artists. Swiss Art Awards, Basel, Switzerland. Photo: Gina Folly. ↓ JPG
Sinaida Michalskaja, HANNAH (Deutsche Wärme), 2025, four Jacquard-woven cotton tapestries, stretchers, 150 × 400 × 4 cm, Installation view Neu Cöln, Cologne. Courtesy of the artist. Photo: Mareike Tocha ↓ JPG
Alexandra Sheherazade Salem, PROFIT MADE GOD’S EXHAUSTION, 2026. Courtesy of the artist ↓ JPG
Dorota Gawęda + Eglė Kulbokaitė, Yield, 2021 (2024). Installation view It’s Supposed to be Simple, But I’m Not, Zeller van Almsick, Vienna, Austria. Courtesy of the artists and Zeller van Almsick. Photo: Simon Veres, 2025. ↓ JPG
Gaia Vincensini, POWER DYNAMICS 1, porcelain, 2025. Courtesy of the artist and Gallery Gaudel de Stampa. Photo: Adrien Mole. ↓ JPG
Liina Magnea, SSASSINS CREED (LADY SAYS STOP), 2024. Courtesy of the artist. Photo: Andrea Vollkmer ↓ JPG
Ewa Dziarnowska with kiana rezvani and Sunayana Shetty, Performance (work in progress), 2026. Courtesy of the artist. Photo: Ewa Dziarnowska ↓ JPG
Gaia Vincensini, Intuitions, porcelain, 2025, Courtesy of the artist and Gallery Gaudel de Stampa. Photo: Adrien Mole. ↓ JPG
Abdoul Karim Martens + Dominik Sartor, dérivedérive, 2025. Courtesy of the artists. Photo: Abdoul Karim Martens ↓ JPG
Abdoul Karim Martens + Dominik Sartor, dérivedérive, 2025. Courtesy of the artists. Photo: Abdoul Karim Martens ↓ JPG
Sinaida Michalskaja, SOPHIE, 2021, Full-HD Video, 2:14 min. Courtesy the artist. Installation view Tell me I belong, 2021, MISC, Athens. Photo: Nikolas Ventourakis ↓ JPG
Sinaida Michalskaja, SOPHIE (Still), 2021, Full-HD Video, 2:14 min. Courtesy of the artist. ↓ PNG
Gaia Vincensini, Locksmith Altar, porcelain, 2025. Courtesy of the artist and Gallery Gaudel de Stampa. Photo: Adrien Mole. ↓ JPG
Euridice Zaituna Kala
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Euridice Zaituna Kala, Nuit Américaine, 2024, transfers on glass and metal, digital image, metal frame, 87 x 77 x 39 cm. Courtesy the artist. Photo: Aurélien Mole ↓ JPG
Euridice Zaituna Kala, Cartographie under grounds revelation, 2024, transfer on glass, mixed media, scanned images, wheat, metal frame, 121 x 84 x 2 cm. Courtesy the artist. Photo: Aurélien Mole ↓ JPG
Euridice Zaituna Kala, Eutrophê: the wave, 2025, iridescent metal frames, transfers on glass and metal, writing, engravings, seeds, glass. Installation view La Criée centre d'art contemporain, Rennes, 2025. Courtesy the artist. Photo: Aurélien Mole ↓ JPG
Euridice Zaituna Kala, Eutrophê: the wave, 2025, iridescent metal frames, transfers on glass and metal, writing, engravings, seeds, glass. Installation view La Criée centre d'art contemporain, Rennes, 2025. Courtesy the artist. Photo: Aurélien Mole ↓ JPG
Jelena Bulajić: Untitled (after)
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Jelena Bulajić, Untitled (after Bernini), 2020, acrylic, marble dust, coloured pencil, graphite on linen canvas, 28,5 x 28 cm. Courtesy of the artist and carlier | gebauer, Berlin/Madrid. Photo: Jelena Bulajić ↓ JPG
Jelena Bulajić, After Sugimoto, Alaskan Wolves, 2024, acrylic, coloured pencil, graphite on linen canvas, 32,4 x 58,2 cm. Courtesy of the artist and carlier | gebauer, Berlin/Madrid. Photo: Jelena Bulajić ↓ JPG
Jelena Bulajić, White on Black 1-4 (1), 2024, acrylic on Plexiglas, gloss varnish, 22 x 14 cm. Courtesy of the artist + White on Black 1-5 (40), 2025, acrylic on Plexiglas, gloss varnish, set comprised of forty pieces, each 22 x 14 cm. Courtesy of the artist + White on Black 1-1 (6), 2024, acrylic on Plexiglas, gloss varnish, comprised of six pieces, each 22 x 14 cm. Courtesy of the artist and carlier | gebauer, Berlin/Madrid. Installation view Kunsthalle Münster. Photo: Kunsthalle Münster / Moritz Hagedorn ↓ JPG
Jelena Bulajić, After Stone 1-1-3, 2025, porcelain, 12 x 12 x 10 cm. Courtesy of the artist. Photo: Kunsthalle Münster / Moritz Hagedorn ↓ JPG
Jelena Bulajić, White on Black 1-4 (40) (detail), 2025, acrylic on Plexiglas, gloss varnish, set comprised of forty pieces, each 22 x 14 cm. Courtesy of the artist. Photo: Kunsthalle Münster / Moritz Hagedorn ↓ JPG
Jelena Bulajić, After Sugimoto, Gemsbok, 2023, acrylic, coloured pencil, graphite on linen canvas, 42,1 x 54,4 cm. Courtesy of the artist and carlier | gebauer, Berlin/Madrid. Photo: Jelena Bulajić ↓ JPG
Jelena Bulajić, Untitled (after Bernini), 2020, acrylic, marble dust, coloured pencil, graphite on linen canvas, 28,5 x 28 cm. Courtesy of the artist and carlier | gebauer, Berlin/Madrid. Photo: Kunsthalle Münster / Moritz Hagedorn ↓ JPG
Jelena Bulajić, After Stone 1-1-3, 2025, porcelain, 12 x 12 x 10 cm. Courtesy of the artist. Photo: Kunsthalle Münster / Moritz Hagedorn ↓ JPG
Jelena Bulajić, After Stone 1-2-1, 2025, porcelain, 16 x 30 x 23 cm. Courtesy of the artist. Photo: Kunsthalle Münster / Moritz Hagedorn ↓ JPG
Jelena Bulajić, After stone 1-1-1 (detail), 2025, stone model. Courtesy of the artist and carlier | gebauer, Berlin/Madrid. Photo: Marijana Janković ↓ TIF
Jelena Bulajić, Untitled (after Tillmans, Atlantique), 2025, acrylic, coloured pencil, graphite on canvas, 250 x 380 cm. Courtesy of the artist. Photo: Kunsthalle Münster / Moritz Hagedorn ↓ JPG
Residence NRW⁺ 2025/2026
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Abdoul Karim Martens, There you go, 2024, printed paper, photocopies, construction foam, egg tempera, electrical cables. Photo: Jana Buch ↓ JPG
Abdoul Karim Martens, BILP (Because I Love Painting), 2024, Papier-mâché and pigment, wood, egg tempera. Photo: Jana Buch ↓ JPG
Abdoul Karim Martens, Soft Eyes, 2025, Wood, papier-mâché and pigment, egg tempera, plasticine, cardboard, construction foam. Photo: Mats Münnich ↓ JPG
Kanade Hamawaki, Verschwörung fährt ein..., 2022, installation view, Die Grosse, Museum Kunstpalast. Photo: Kanade Hamawaki ↓ JPG
Kanade Hamawaki, PUBLIKUMSBEFRAGUNG, 2023, Installation view Kunstakademie Düsseldorf, worker: Zihan Chen. Photo: Kanade Hamawaki ↓ JPG
RHO, TIME IS THE ILLUSION OF SOLIDITY, 2024, Land art as part of the artist residency in "Los Angeles", Güns-terode, May 2024. Photo: Nico Wefers ↓ JPG
RHO, TIME IS THE ILLUSION OF SOLIDITY, Land art as part of the artist residency in "Los Angeles", Günsterode, May 2024. Photo: Nico Wefers ↓ JPG
RHO, CHOLERA – I THOUGHT I SHOULD NEVER SPEAK AGAIN, Light and sound installation in collaboration with the vocal ensemble Γλωσσα (glossa), interior view, Kasseler Kunstverein, February 2021. Photo: Nico Wefers ↓ JPG
RHO, CHOLERA – I THOUGHT I SHOULD NEVER SPEAK AGAIN, Light and sound installation in collaboration with the vocal ensemble Γλωσσα (glossa), exterior view, Kasseler Kunstverein, February 2021. Photo: Nico Wefers ↓ JPG
Kanade Hamawaki, aus der Werkreihe Kaufmann Anton Nordpol Dora Emil Heinrich Martha Wilhelm Ida Otto Berta Richard Ludwig Übermut Samuel Friedrich, 2025, installation view Hamawaki/Hölk/Albatal oder Die Neuen von nebenan, FUHRWERKSWAAGE. Photo: Kanade Hamawaki ↓ JPG
Maria Renee Morales Garcia, complexities in w(e)aves, 2025, Room installation with self-painted/lettered textiles, woven works, ceramic works. Photo: LWL/Hanna Neander ↓ JPG
Maria Renee Morales Garcia, when your identity runs away/how far does your identity run?, 2023, room installation with questions on walls, floor, and ceiling, 2 mobile sculptures. Photo: Masako Kato ↓ JPG
Paula Thomaka. Photo: Arhun Aksakal ↓ JPEG
Anneliese Ostertag. Photo: Ariel Reichman ↓ JPG
Antoine Simeao Schalk. Photo: Gina Folly ↓ JPG
Clara Maria Blasius. Photo: Arhun Aksakal ↓ JPG
Förderpreisausstellung der Freunde der Kunstakademie Münster
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Anna Charlotte Frevel, Sympoietic Sample No. 4, 2025, PLA, Wachs, Kunstharz, Acryl, 51 x 25 x 28 cm. Courtesy of the artist. Photo: Anna Charlotte Frevel ↓ JPG
Jakob Mönch, red hot dred nought (Detail), 2026, plaster, candles, iron, water. Courtesy of the artist. Photo: Jakob Mönch ↓ JPG
Henrik Jansen, Belgrad (Still), 2025, 1-channel video in-stallation, 45min. Courtesy of the artist ↓ TIFF
Yuna Jeong, Tangible Anxieties, 2025, cast ceramics, metal, Courtesy of the artist. Photo: Yuna Jeong ↓ JPG
Yuna Jeong, Heart Rate, 2025, metal, 160 x 180 cm. Courtesy of the artist. Photo: Yuna Jeong ↓ JPG
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Julius Kotzke, We are so fucking back (its over), 2025, acrylic on canvas, 25 x 35 cm. Courtesy of the artist. Photo: Malte Reuter. ↓ JPG
Julius Kotzke, Untitled, 2025, acrylic on canvas, 30 x 45 cm. Courtesy of the artist. Photo: Malte Reuter ↓ JPG
Alex Liedtke, SUBURBAN SURVIVAL 2006 (Still), 2026. Courtesy of the artist. ↓ JPG
Hannah Moraw, How do you separate?, sketch, 2026, 13 x 14,5 cm, Courtesy of the artist. Photo: Hannah Moraw. ↓ PNG
Hannah Moraw, How do you separate that which has virtually become one? part 1: threads, untangled, 2022, Performance, 4 hours. Courtesy of the artist. Photo: Hannah Moraw. ↓ PNG
Nicole Widner, laufende wärme, 2025, plastic box, plaster, aluminium mesh, bag, LED, cloth handkerchief, glass, plastic, 40 x 20 x 60 cm. Courtesy of the artist. Photo: Nicole Widner ↓ JPG
Nicole Widner, wartende sun station (everyone is late), 2024, miniature bus stop, steel, clay, 20 x 10 x 80 cm. Courtesy of the artist. Photo: Nicole Widner ↓ JPG
Design: JMMP – Julian Mader Max Prediger ↓ JPG