Residence NRW⁺ Hoppengarten 32. Photo: Moritz Hagedorn ↓ JPG

Residence NRW⁺ Hoppengarten 32. Photo: Moritz Hagedorn ↓ JPG

Residence NRW⁺ kitchen. Photo: Moritz Hagedorn ↓ JPG

Residence NRW⁺ studio. Photo: Moritz Hagedorn ↓ JPG

Residence NRW⁺ studio. Photo: Moritz Hagedorn ↓ JPG

Residence NRW⁺ Hoppengarten 32. Photo: Moritz Hagedorn ↓ JPG

Residence NRW⁺ living room. Photo: Moritz Hagedorn ↓ JPG

Residence NRW⁺ office. Photo: Moritz Hagedorn ↓ JPG

Residence NRW⁺ bed room. Photo: Moritz Hagedorn ↓ JPG

Residence NRW⁺ studio. Photo: Moritz Hagedorn ↓ JPG

Residence NRW⁺ Hoppengarten 32. Photo: Moritz Hagedorn ↓ JPG

Residence NRW⁺ floorplan ground floor. Design: JMMP ↓ JPG

Residence NRW⁺ floorplan ground floor. Design: JMMP ↓ JPG

Residence NRW⁺ floorplan first floor. Design: JMMP ↓ JPG

Residence NRW⁺ floorplan first floor. Design: JMMP ↓ JPG

Photo: Hubertus Huvermann ↓ JPEG

Photo: Hubertus Huvermann ↓ JPEG

Zauri Matikashvili, Carmen Vellani (Still), 2020, Single-channel video, 12:00 min. Courtesy the artist ↓ JPG

Zauri Matikashvili, Im Tunnel (Still), 2017, Single-channel video, 25:00 min. Courtesy the artist ↓ JPG

Zauri Matikashvili, Made in Europe (Still), 2023, Single-channel video, 25:00 min. Courtesy the artist ↓ JPG

Mannan Atasoy, bodies out of place, 2025, plaster, soap, text. Photo: Kunstakademie Münster / Hyesung Ryu ↓ TIFF

Mannan Atasoy, bodies out of place, 2025, plaster, soap, text. Photo: Kunstakademie Münster / Hyesung Ryu ↓ TIFF

Mannan Atasoy, bodies out of place, 2025, plaster, soap, text. Photo: Kunstakademie Münster / Hyesung Ryu ↓ TIFF

Suyeon Prana Kim, Nachkommen von Sternenasche, 2025, installation consisting of steel, glass, stainless steel, zinc, modeling clay, ceramic, epoxy resin, wood ash, fabric, paper, grapefruits, stone, thread, seeds. Photo: Kunstakademie Münster / Hyesung Ryu ↓ TIFF

Zahraa Khanafer, vom osten, aber eigentlich von hier, und vom aushalten, aber eigentlich nicht mehr können (Raute No. 1, Raute No. 2, Blätter No. 1, Blätter No. 2, Dach No. 1, Dach No. 2, Dach No. 3, Botanischer Garten No. 1, Botanischer Garten No. 2, Blume, Schleuse), 2025, floor installation made of head scarves. Photo: Kunstakademie Münster / Hyesung Ryu ↓ TIFF

Hyesung Ryu, In diesem Moment folgen alle Rhythmen dem Licht, 2025, oil on canvas + Folge dem reinen Fluss, 2025, woodcut + Die Geister aus Holzschnitt, 2025, oil on lime wood (Wundermilde Wärme, Warme und sanfte Freude, Fallendes Licht auf den Wellen, Folge dem reinen Fluss, Manche Einsamkeit ist wie ein Tanz, Leuchtend im Nebel, Womöglich fließendes Licht oder Wasser, An den Spitzen der flatternden Blätter, Spiegelung einiger frischer Linien). Photo: Kunstakademie Münster / Hyesung Ryu ↓ TIFF

Lea Klein, self-monitoring, 2025, photographic print on Alu-Dibond, mirror, wallpaper. Photo: Kunstakademie Münster / Hyesung Ryu ↓ TIFF

Lennart Haffner, Ohne Titel, 2025, oil and acrylic on cardboard + Ohne Titel, 2025, oil and acrylic on canvas + Ohne Titel, 2025, acrylic on canvas + Ohne Titel, 2024, oil and acrylic on canvas. Foto / Photo: Kunstakademie Münster / Hyesung Ryu ↓ TIFF

Lennart Haffner, Ohne Titel, 2025, oil and acrylic on canvas + Ohne Titel (mobile), 2025, oil and acrylic on canvas. Photo: Kunstakademie Münster / Hyesung Ryu ↓ TIFF

Martin Schlathölter, Bewährtes Mittel bei akutem Befall von Habgier. Spahngalaktischer Donnergurgler streng nach parthischem Rezept, wie einst für Marcus Licinius Crassus, Hauptbestandteil 200 Gramm flüssiges Gold, Einmalige Anwendung ausreichend. 100% wiederverwendbar, 2025, untreated bronze, mirror, dedication: Dr. Margaretha Sudhof. Photo: Kunstakademie Münster / Hyesung Ryu ↓ TIFF

Malte Reuter, Für Lisa, 2025, acrylic and UV-print on canvas. Photo: Kunstakademie Münster / Hyesung Ryu ↓ TIFF

Joel Radermacher, kartenhaus, 2025, cardboard. Photo: Kunstakademie Münster / Hyesung Ryu ↓ TIFF

Martin Steinfeld, Faces, 2025 – ongoing, series consisting of 25 photographs. Photo: Kunstakademie Münster / Hyesung Ryu ↓ TIFF

Jenni Hoppel, to ma is to live and to bup is to love, 2025, plaster, steel, wood, fabric, video. Photo: Kunstakademie Münster / Hyesung Ryu ↓ TIFF

Suyeon Prana Kim, Nachkommen von Sternenasche, 2025, installation consisting of steel, glass, stainless steel, zinc, modeling clay, ceramic, epoxy resin, wood ash, fabric, paper, grapefruits, stone, thread, seeds. Photo: Kunstakademie Münster / Hyesung Ryu ↓ TIFF

Suyeon Prana Kim, Nachkommen von Sternenasche, 2025, installation consisting of steel, glass, stainless steel, zinc, modeling clay, ceramic, epoxy resin, wood ash, fabric, paper, grapefruits, stone, thread, seeds. Photo: Kunstakademie Münster / Hyesung Ryu ↓ TIFF

Max van Dorsten, Ohne Titel, 2025, inkjet print on paper. Photo: Kunstakademie Münster / Hyesung Ryu ↓ TIFF

Jenni Hoppel, to ma is to live and to bup is to love, 2025, plaster, steel, wood, fabric, video. Photo: Kunstakademie Münster / Hyesung Ryu ↓ TIFF

Max van Dorsten, Ohne Titel, 2025, inkjet print on paper. Photo: Kunstakademie Münster / Hyesung Ryu ↓ TIFF

Laris Maas, 40 bpm in a room, 2025, Video, Loop, 6:00 min. Photo: Kunstakademie Münster / Hyesung Ryu ↓ TIFF

Zahraa Khanafer, vom osten, aber eigentlich von hier, und vom aushalten, aber eigentlich nicht mehr können (Raute No. 1, Raute No. 2, Blätter No. 1, Blätter No. 2, Dach No. 1, Dach No. 2, Dach No. 3, Botanischer Garten No. 1, Botanischer Garten No. 2, Blume, Schleuse), 2025, floor installation made of head scarves. Photo: Kunstakademie Münster / Hyesung Ryu ↓ TIFF

Jenni Hoppel, to ma is to live and to bup is to love, 2025, plaster, steel, wood, fabric, video. Photo: Kunstakademie Münster / Hyesung Ryu ↓ TIFF

Abdoul Karim Martens, There you go, 2024, printed paper, photocopies, construction foam, egg tempera, electrical cables. Photo: Jana Buch ↓ JPG

Abdoul Karim Martens, BILP (Because I Love Painting), 2024, Papier-mâché and pigment, wood, egg tempera. Photo: Jana Buch ↓ JPG

Abdoul Karim Martens, Soft Eyes, 2025, Wood, papier-mâché and pigment, egg tempera, plasticine, cardboard, construction foam. Photo: Mats Münnich ↓ JPG

Kanade Hamawaki, Verschwörung fährt ein..., 2022, installation view, Die Grosse, Museum Kunstpalast. Photo: Kanade Hamawaki ↓ JPG

Kanade Hamawaki, PUBLIKUMSBEFRAGUNG, 2023, Installation view Kunstakademie Düsseldorf, worker: Zihan Chen. Photo: Kanade Hamawaki ↓ JPG

RHO, TIME IS THE ILLUSION OF SOLIDITY, 2024, Land art as part of the artist residency in "Los Angeles", Güns-terode, May 2024. Photo: Nico Wefers ↓ JPG

RHO, TIME IS THE ILLUSION OF SOLIDITY, Land art as part of the artist residency in "Los Angeles", Günsterode, May 2024. Photo: Nico Wefers ↓ JPG

RHO, CHOLERA – I THOUGHT I SHOULD NEVER SPEAK AGAIN, Light and sound installation in collaboration with the vocal ensemble Γλωσσα (glossa), interior view, Kasseler Kunstverein, February 2021. Photo: Nico Wefers ↓ JPG

RHO, CHOLERA – I THOUGHT I SHOULD NEVER SPEAK AGAIN, Light and sound installation in collaboration with the vocal ensemble Γλωσσα (glossa), exterior view, Kasseler Kunstverein, February 2021. Photo: Nico Wefers ↓ JPG

Kanade Hamawaki, aus der Werkreihe Kaufmann Anton Nordpol Dora Emil Heinrich Martha Wilhelm Ida Otto Berta Richard Ludwig Übermut Samuel Friedrich, 2025, installation view Hamawaki/Hölk/Albatal oder Die Neuen von nebenan, FUHRWERKSWAAGE. Photo: Kanade Hamawaki ↓ JPG

Maria Renee Morales Garcia, complexities in w(e)aves, 2025, Room installation with self-painted/lettered textiles, woven works, ceramic works. Photo: LWL/Hanna Neander ↓ JPG

Maria Renee Morales Garcia, when your identity runs away/how far does your identity run?, 2023, room installation with questions on walls, floor, and ceiling, 2 mobile sculptures. Photo: Masako Kato ↓ JPG

Paula Thomaka. Photo: Arhun Aksakal ↓ JPEG

Anneliese Ostertag. Photo: Ariel Reichman ↓ JPG

Antoine Simeao Schalk. Photo: Gina Folly ↓ JPG

Clara Maria Blasius. Photo: Arhun Aksakal ↓ JPG

Euridice Zaituna Kala, Nuit Américaine, 2024, transfers on glass and metal, digital image, metal frame, 87 x 77 x 39 cm. Courtesy the artist. Photo: Aurélien Mole ↓ JPG

Euridice Zaituna Kala, Cartographie under grounds revelation, 2024, transfer on glass, mixed media, scanned images, wheat, metal frame, 121 x 84 x 2 cm. Courtesy the artist. Photo: Aurélien Mole ↓ JPG

Euridice Zaituna Kala, Eutrophê: the wave, 2025, iridescent metal frames, transfers on glass and metal, writing, engravings, seeds, glass.Installation view La Criée centre d'art contemporain, Rennes. Courtesy the artist. Photo: Aurélien Mole ↓ JPG

Euridice Zaituna Kala, Eutrophê: the wave, 2025, iridescent metal frames, transfers on glass and metal, writing, engravings, seeds, glass. Installation view La Criée centre d'art contemporain, Rennes. Courtesy the artist. Photo: Aurélien Mole ↓ JPG

Jelena Bulajić, Untitled (after Bernini), 2020, acrylic, marble dust, coloured pencil, graphite on linen canvas, 28,5 x 28 cm. Courtesy of the artist and carlier | gebauer, Berlin/Madrid. Photo: Jelena Bulajić ↓ JPG

Jelena Bulajić, After Sugimoto, Gemsbok, 2023, acrylic, coloured pencil, graphite on linen canvas, 42,1 x 54,4 cm. Courtesy of the artist and carlier | gebauer, Berlin/Madrid. Photo: Jelena Bulajić ↓ JPG

Jelena Bulajić, White on Black 2-2 (2), 2024, Acryl auf Plexiglass, acrylic on plexiglass, gloss varnish, 80 x 80 cm. Courtesy of the artist and carlier | gebauer, Berlin/Madrid. Photo: Roberto Ruiz ↓ JPG

Jelena Bulajić, White on Black 2-2 (2), 2024, acrylic on plexiglass, gloss varnish, 80 x 80 cm. Courtesy of the artist and carlier | gebauer, Berlin/Madrid. Photo: Roberto Ruiz ↓ JPG

Jelena Bulajić, Spree I and Spree II (installation view), 2018, mixed media on linen, 25,6 x 34,1 cm each. Courtesy of the artist and carlier | gebauer, Berlin/Madrid. Photo: Jelena Bulajić ↓ JPG

Jelena Bulajić, After stone 1-1-1 (detail), 2025, stone model. Courtesy of the artist and carlier | gebauer, Berlin/Madrid. Photo: Marijana Janković ↓ TIF